Prior Learning Assessment Course Subjects

Film

More *'s indicate a better match.
Courses 1-10 of 85 matches.
Film Theory I   (FIL-201)   3.00 s.h.  
*
*
*
*
*
*
*
*
Study of major developments in film theory, writings on major films, and practice in using different methods to analyze films. 
Film Theory II   (FIL-202)   3.00 s.h.  
*
*
*
*
*
*
*
*
Continued study of major developments in film theory, writings on major films, and practice in using different methods to analyze films. 
Advanced Film Theory I   (FIL-301)   3.00 s.h.  
*
*
*
*
*
*
*
*
Advanced study of major developments in film theory, writings on major films, and practice in using different methods to analyze films. 
Advanced Film Theory II   (FIL-302)   3.00 s.h.  
*
*
*
*
*
*
*
*
Continued advanced study of major developments in film theory, writings on major films, and practice in using different methods to analyze films. 
Film Comedy   (FIL-311)   3.00 s.h.  
*
*
*
*
*
*
*
Film comedies from all periods in relation to comic theory and its application with particular emphasis on American films of the 20's and 30's. 
Major Film Genres   (FIL-402)   3.00 s.h.  
*
*
*
*
*
*
*
Examples from the major film genres, such as the Western, the crime film, the musical, the horror film, and film noir, with special emphasis on American film and principles of genre criticism. 
Directing for Film and TV   (COM-421)   3.00 s.h.  
*
*
*
*
*
*
This course offers an in-depth examination of the director's role. Explores the art, skill, authority, and responsibility of the director for preproduction planning, budgeting, casting, location scouting, and rehearsing in feature films, TV series, commercials, business and educational films, documentaries, news films, and videotape. Students work on assignments and exercises in scripts breakdown, shot determination, character description for casting call, sound stage utilization, camera placement, action blocking, and the preparation of a director's work script. 
Industrial Films   (FIL-305)   3.00 s.h.  
*
*
*
*
*
*
Production of industrial films. 
The Contemporary Film   (FIL-310)   3.00 s.h.  
*
*
*
*
*
*
Beginning with American film noir and European films which emerged after World War II, the course traces the major films, directors, critical theories and other influences which make up the contemporary film and define a specifically modemist sensibility. 
Nature Films   (FIL-312)   3.00 s.h.  
*
*
*
*
*
*
Study of the genre of nature films. 
Courses 1-10 of 85  |  Next »